Amplifier and cab setup for Jackal-Headed Guard of the Dead recording session 2013
I got my Fender in 1995 for 175 quid. It is very fucking loud. I think it sounds great for all the heavy distorted music I make. Whether that be stoner, sludge, grind, punk or black metal. If you want a scooped sound or ultra futuristic digitally saturated sound you can fuck off.
1996
Fender Dual Showman 135 Watt Head through a Trace Elliot 4x12. Antoria Gold Top Les Paul. With Concrete Head live at The Horse & Jockey in Bury.
1997
Fender Dual Showman 135 Watt Head & Carsbro 2x12. Recording It's beyond Scooping Matthew by Shitball at Vests Rume Studios Wincomlee. And no effects pedals.
2002
Fender Dual Showman 135 Watt Head & Laney 4x12. Recording Too Many Titles Not Enough Songs by Shitball in Hull. And no effects pedals. Also featuring the same fluorescent green lead that was used for It's Beyond Scooping Matthew.
2006
2008
2009
Once more the Fender is used to make a fucking amazing sludgy row.
Fender Dual Showman 135 Watt Head & Carsbro 2x12. Recording Banished From The Mages Guild at Room Room Studios Hull.
2010
Fender Dual Showman 135 Watt Head & Marshall 4x12. Recording The Sky Has Been Riven and Our Flesh Has Been Rent by Jackal-Headed Guard of the Dead at Chamber Studios Edinburgh.
2011
Fender Dual Showman 135 Watt Head driving Conans cabs. Customised Antoria Les Paul. With Jackal-Headed Guard of the Dead at the Fishtank in Durham.