Showing posts with label Concrete Head. Show all posts
Showing posts with label Concrete Head. Show all posts

Emperor of the Moon


This album happened on a spare of the moment evening when myself Mike Sowerby and Patrick Tobin were hanging out in Room Room studios and decided to record some jams....

We have quite a musical history between us, Paddy & Mike playing together in the psychedelic rock band The Last People on Earth. Myself and Paddy go back playing in metal and rock bands since 1990, those being Warp Spasm, Cosmic Juggernaut & Concrete Head. The three of us recorded several albums under the name Doomlord & Mike drummed on two previous solo albums of mine, namely The Wizards Bones & The Necromancer.

Tommy Concrete - Mike Sowerby - Paddy Tobin

At the point of recording this album, I was playing guitar for infamous punk band The Exploited and had for the past four months played only Exploited songs, so when we got to jam I was more than ready to relax and just improvise on some riffs totally at odds to what I was currently playing.

We recorded seven jams that night and if we may say so ourselves, it was absolutely happening... There is always a factor of hit and miss in improvisational music, but sometimes the stars align and they certainly did that night.


The plan was to come back at a later date and, trim some of the jams (they were great but not perfect), add vocals, solos and possibly some other instrumentation.... But disaster struck and due to a series of destroyed computers, the original jams were lost....

Studio footage from the original session.

Six years later, I find a memory stick at the back of a box, with no idea what was on it.... so I stick it in my laptop and am blown away to find all seven jams mixed to stereo wav files.... All I had to do now was finish it. I didn't feel like rushing it and really wanted to wait for the 'right moment' to work on it again. The 'right moment' occurred when I found myself with four days off at the beginning of November 2017. I was supposed to be going on tour with my band Psychotic Depression and Battalions, but unfortunately they had to pull out and the whole thing got cancelled at the last minute... So I figured, I had four days off work that I planned to be filling with music, it was a perfect time to make good out of a bad situation and I spent the four days adding vocals, solos, editing, mixing and finishing off the album.

Excerpt from Grotesque Wyvern

To keep with the spirit of the original evening, I didn't spend ages over the overdubs and went for spontaneous takes on the solos and vocals. Most of them are largely instrumental, just because it just feels like that is how they should be. What lyrics that are on them are based on the file names that the jams were saved as, I didn't want to make it sound like the overdubs and words were done so many years apart, and tried to utilise as much of the original vibe and improvisational spontaneity that the album was born from.


Trying to describe an album based around improvisation in terms of influence is sort of impossible by definition... It is simply a representation of myself, Paddy and Mikes musical connection and history unleashed into forty minutes of a power trio enjoying life and doing what we were born to do.....

It's a trip and a journey which I hope you enjoy.

Cheers

Tommy Concrete

Some reasons why nobody came to see your gig

Concrete Head @ Bridlington Leisure World 1995, only another 2000 people and we would have filled the place, sometimes it's not that nobody came, it's that you were over optimistic when choosing a venue.

I have read a few of these sort of blogs of late, largely because a few of my friends have finally lost the plot and started to promote extreme metal gigs, and ultimately lost money on ninety nine percent of them, thus resulting in them getting pissed of and posting comments on social media about apathetic audiences, or posting blogs posts not dissimilar to this one. So here is my two pence worth of hints, advice, insults and facts on the subject.

First of all, in all honesty, I wish your band would split up and fuck off. If I could fast forward your bands career to the part when you sell your equipment to buy a washing machine for your ambitionless baby machine wife then I would. More gigs for me. Or as a compromise you could start a wedding band and play polite quiet gigs of pop crap to knobheads, great. More gigs for me.

Fender Dual Showman 135 Watt Head


 Amplifier and cab setup for Jackal-Headed Guard of the Dead recording session 2013

I got my Fender in 1995 for 175 quid. It is very fucking loud. I think it sounds great for all the heavy distorted music I make. Whether that be stoner, sludge, grind, punk or black metal. If you want a scooped sound or ultra futuristic digitally saturated sound you can fuck off.

Antoria Les Paul Gold Top

 At the Hull Adelphi with Concrete Head in 1995

This guitar ruled, unfortunately it was destroyed in an international whisky accident in Wealdstone 2000AD. I got it in 1994 for a hundred and fifty quid. I instantly replaced the pickups with a Gibson Usa PAF in the neck and a pickup of an unknown make taken out of a Seville semi acoustic because it was massively loud.

Customised Antoria Les Paul

 With Man of the Hour at The Camden Underworld in 2007

My second guitar. I got this in 1984 and it is fucking great. I've had a Khaler trem stuck on it, Grover tuners and it's had Select by EMG & now Dimarzio pickups in it. I'm not sure exactly how old it is as it was second hand when I got it. Not bad for fifty quid.